[quote="NoOneYouKnow"]
The live downloads could be very simple and profitable if there's no record company involved. Just have to hope that Sting has fulfilled all his contractual obligations and is free to sell on his own via the web. I imagine that would cut out a lot of red tape.
Little or no album artwork to deal with. No manufacturing costs and minimal distribution costs. No record company taking their percentage.
[/quote]
Now this I can talk to.
Like I said, I too would love live downloads. But considering The Police are also a Product and a Brand, they've got quite a few obstacles that keep them from going the grassroots/direct-to-the-net route. Plus keep in mind the number of behind-the-scenes folks who would need to be involved even though there is no physical product: sound guys doing transfers, clean up, mixing, editing; librarians archiving both the physical recordings and the content; front- and back-end tech guys dealing with the actual delivery and net issues, admins dealing with the simple office crap of deadlines and communications; a project manager to serve as the ultimate point person; a lawyer to deal with rights issues and contracts; the poor schmuck who has to decide what to do about all those four-letter words; . . .
But most importantly, just because there is no physical record doesn't mean that the record company doesn't get their cut: for all intents and purposes, because The Police are A&M recording artists, A&M owns The Police. [It all depends on who owns the copyrights, etc.]
[It is A&M, isn't it? Am I screwing that up? Or is it Interscope now?]
I'm not saying that [i]I[/i] don't think it's worth it (especially since I don't have to do a damn thing), but I can understand if the band or their People don't want to deal with it. As individuals, I think they'd have more leeway: I remember SC in an interview talking about how iTunes makes it possible for him to do less mainstream work because he is able to sell music directly despite not being able to get physical shelf space in a brick-and-mortar store. But as a copyrighted and trademarked unit, I can imagine processes get pretty convoluted. At this point, I don't think they can escape The Big Dumb Company without forming a whole new entity.
Add in the likelihood that record company is planning for (at least) a single, authorized, physical release of The Police Reunion Tour LIVE CD and DVD complete with all the bells and whistles (and the likelihood of a VP somewhere using the phrase "diluting the market" in regard to multiple concert recordings (whether true or not)), . . .
Sting-wise, I woulder if it's the quality control (or more specifically, lack thereof) issue in a live recording that puts him off. Sour notes in concert disappear into history; sour notes in distribution become history.
Eat a cookie. Save a life. Donate blood.