Very late to this party.
I finally read the book this week. Stayed up a few hours later than I should have.
My experience with the book was kind of like Sockii's with the audio:
sockii wrote:I will say that the audio version DOES make a couple points in the writing seem especially choppy and abrupt in how they end and transition (or DON'T transition well), one chapter to the next. Endings to the chapters are sometimes not very strong and feel very abrupt, like, "wait, that's the end? What happened next?" There's a reason writers are often encouraged to read their work aloud to check the flow of the writing, and I could see it might've been handy here in a few places before going to print...
I agree with this completely. But I'm one of those slow readers who relished the sounds of the words in my head as I read them, so I guess maybe that's like listening to the audio, though I don't think I quite got his voice right in my head. So I'm definitely going to have to get the Audiobook.
My experience is: Stewart is completely ADD, and the book is representative of this.
Strangely, this made me appreciate Stingo:
Stingo's songs do shape the non stop drum solo that is Stewart at the kit.
It works great.
I found myself wanting a little of that help in organization and storytelling: an editor to give the Maestro's thunderous bombast some shape.
And I really didn't dwell on the shower scenes, but hey, that I leave that to others.
dc
"Unpaid Bills... Afghanistan Hills!"