Info on the piece to be premiered from Stewart's agent at:
http://www.opus3artists.com/utils/Downl ... 15orch.pdfThe title of the piece is "Poltroons in Paradise."
Implies that Stewart himself will be performing.
[quote]In the first concerto composed for himself as featured soloist, Stewart Copeland has written a work that features his acclaimed personal style of drumming behind his famous Tama drum kit and an array of exotic percussion. Members of the orchestra’s own percussion section are featured in complimentary parts along with Copeland, downstage of the orchestra. In “Poltroons In Paradise”, Stewart wishes to celebrate the unheralded purveyors of un-pitched cacophony, who may overwhelm even the largest orchestra at any time, and yet never do. By demonstrating that the distance between rock drummer and timpani virtuoso is not as far as one may think, this concerto is a thrill for audiences, percussionists, (and conductors) alike.
1st movement After a short energetic introduction employing the full orchestra focus will shift to the percussion sounds. This movement will be more about timbre than tune. Using compound meters rhythmic complexity can be achieved while keeping the pulse simple.
2nd Movement There will be more emphasis on orchestral interaction with the percussion. The textures introduced in the first movement will be colorized by soloists within the orchestral choirs, adding clear pitch to the implied tunes of the percussion figures. The atmosphere will be agile and whimsical.
3rd Movement The last movement will be about power and excitement with tutti orchestra and hammering percussion. The harmony will become more dense with each movement so that by the end the brass will be stabbing with fat chords while the strings swirl and the woodwinds wind. One would hope to have the percussionists sweating by the end.
Copeland is an artist who has composed for The Police, for international Opera and Ballet Companies, for noted film auteurs, (Francis Ford Coppola and Oliver Stone, among others) and who continues to create a growing and successful catalogue of orchestral and chamber works. Now Copeland has finally composed a work that will demonstrate his reputation as one of most inventive and recognizable drummers of all time as well as the un-tapped virtuosity of the symphonic percussion section.
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SC-There are a few crazy people on this planet. Sure sign of that is that they kinda like my music