INCUBUS and the HYBRID Part 2

[STEWART]

The gig is actually called “The KROQ Almost Acoustic Christmas” and there are eleven bands playing tonight. At the sound-check this afternoon, twelve drum-sets and a hundred tons of amplification are being hustled around the stage by black clad gangs of tattooed roadies. It’s all very professional and good-natured but I still want to run home, rifle through the kid’s toys and see if I can find me some tattoos. Maybe some Polly Pockets or a big Sponge Bob right over my jugular.

The drums and amps are all set up on rolling platforms and it’s a revolving stage so the pace is brisk. As one band runs through its sound-check another is setting up behind it. The stage revolves, the gear is wheeled off in a twinkling and the next crew rolls their stuff on.

When it’s our turn to bat we go straight through two of our songs and are trying to cram in just one more but the stage is turning. We’re still blazing as we rotate out of the hall and into the sunshine outside the Universal Amphitheatre.

When I arrive back at the gig after an afternoon lounge at home, the Rock and Roll party is in full swing. There is a large back-stage area separated into layers of access to the booze, bands and stage. Everybody back-stage gets the booze. It’s a mob of carousing fun lovers with crazy hairdos and loud clothing.

One layer deeper is where the dressing rooms are. Some are large suites; others are small. Once you get into this area, most of the people you see are rock stars. Down the hall, the early playing bands (in the small rooms) are full of after-show swagger. Their doors are open and they are slouching in and out of each other’s rooms exchanging Manna. Closer up are the bands who are still getting ready and the atmosphere is a little more sober.

When I get to our room, INCUBUS are all there. They seem pretty relaxed as we goof around, with about ninety minutes to kill before our moment. There’s a TV monitor in the room so we can watch the show on stage and rate the competition. Sum 41 are there one minute and next it’s a guy with a LOT of tattoos. Then it’s us.

Or rather, then it’s INCUBUS. They depart for the stage to do their own show. We’ll be joining them after a few songs. They look great on stage and have a lot more going on musically than anyone else I’ve seen today. They are an excellent combination of power and poetry.

There is a tunnel under the backstage party area so we can get up to the stage without having to run the gauntlet. After a short wait in the wings, the crew pulls the drapes off my drums and out we walk. As soon as I’m sitting down my hands take over and my horse is charging through the bit and over the fields. Somewhere I can hear Andy and Mike start up the DOO DOO DOO riff and I try to rein it in a little so that Brandon can sing the song.

Next up is MESSAGE IN A BOTTLE, then ROXANNE and then just like that, in a flash, it’s done. Sure, there were a few fender benders. OK, so I played too loud, to fast and too much but shows like this are such a rare treat that I feel no remorse. Catch me at a real concert, on a real tour and you may see some finesse, but this was something else. So shoot me if I had too much fun.

As Andy and I leave the stage and head back, we pass VELVET REVOLVER coming up the tunnel. For some reason we studiously ignore each other. Maybe because Andy and I have post-show swagger and they have pre-show tension. I’ve actually met Duff and Scott at various times in the past and they are good guys.

By the time I get out of the shower the rest of the band are all whooping it up in the dressing room. Everybody is happy. It was a good show and the crowd obviously liked it too. The room quickly fills up with friends and family. On the TV monitor, the show goes on with VELVET REVOLVER in full swing. The sound is down so I can’t hear them but they are raging away. Pity about that hat that Scott is wearing. It gives them kind of a VILLAGE PEOPLE vibe.

The band that I really want to see is GREEN DAY. I lost a bet that I made ten years ago with my niece that they would vaporize after one hit. I had them figured as a McPunk band (which I didn’t hold against them because that’s pretty much what THE POLICE were at first). Well I was wrong. They are still here and I want to know why. So I drag myself away from the party and head out to the auditorium to catch their show from the front. Here’s why they are still here: They write hits, keep it simple and they connect with the audience. They are tight, professional, confident and energized. I’m not about to rush out and buy all their CDs, but I respect this band and I owe Ashley one dollar.

Life is full of rewards and miseries but I’m very happy that shows like this come along every once in a while. To some it may look like Andy and I are clutching on to past glories by playing old hits rather than doing something new. Fact is we are both doing much new stuff. Heck, I have a whole new and unrelated career as a film composer.

The Devil may take me but every now and then I will reach into the cookie jar…

Thank you INCUBUS for letting us hitch a ride.

[Popcorn Blizzard]

Wow. Thanks for posting these behind-the scenes, glimpses, Stewart.

[jedsoon]

i'm thinking i may have read this one before? i definitely remember the cookie jar quote as one of my favorites.

i used to have this urge to get a tattoo, but it's behind me now.

no, i didn't get one on my ass...

thanks for sharing!

[Mrs. Gradenko]

[quote]no, i didn't get one on my ass... [/quote]
Exactly what I was going to ask.

I had a Polly Pockets when I was a kid, do they still make thoes?

You should have gone to the grocery store, they have butterfly tattoos and stuff.

[quote]OK, so I played too loud, to fast and too much [/quote]
Seen the show a million and a half times, it was great. I'd tell ya if it was crap.

[quote]Pity about that hat that Scott is wearing. It gives them kind of a VILLAGE PEOPLE vibe. [/b]
Anyone have a pic of that, now I'm currious.

[quote]which I didn’t hold against them because that’s pretty much what THE POLICE were at first[/quote]
Ehh can't really compare the two, not really fair to them.

[quote]They are still here and I want to know why[/quote]
Because Billie looks good with the disheveled hair and black eye makeup?

[quoteI respect this band and I owe Ashley one dollar. [/quote]
I think you owe her some intrest too.

[quote]To some it may look like Andy and I are clutching on to past glories by playing old hits rather than doing something new.[/quote]
"Give the people what they want." Not that we don't want new stuff too...

[Divemistress of the Dark]

I think it'd be easy to overthink stuff like this. Obviously, I have no idea what I'm talking about - never having been famous and having no idea what pressures folks are under from publishing companies, the press and whatnot [OK, full disclosure - I used to have a gummint job in Washington, DC with a title that would impress many people, and moved to TN after Al Gore lost the 2000 election]. However, I would imagine most concertgoing members of the public realize the Police was not some one-off dropshot band, and that they'd be thrilled to see any member of it perform some of the songs live. OK, some more than others, but I digress.

I'm sure it'd be hard to live in the shadow of something like that. Every solo album John Lennon ever made was compared to the Beatles' body of work. You remember the old expression, 'be careful what you wish for - you might get it' (also a great song by Paul Kelly)? The downside of worldwide success and fame is probably that comparison. Sure, there are worse hands to be dealt, but I'm sure it's bound to have something of a chilling effect on new artistic product.

But what's the comparison? Many records that sold millions of copies this year are objectively terrible. I would think that, as an artist, it'd be incredibly difficult to make a complicated, artistically challenging record without an immediate "hit" and have it sell well these days. So that's the trade-off...

[quote]I had them figured as a McPunk band (which I didn’t hold against them because that’s pretty much what THE POLICE were at first). Well I was wrong[/quote]

I saw 'em at Lollapalooza in 1995, and had the same opinion - I thought they sounded just like Silverchair and the other post-grunge bands popular that year. Who knows, maybe they were signed as the music labels rushed to sweep up any group with that sound...I was going to go take a nap or something during their slot but once they hit the stage they were terrific. Not only do they connect with the audience, but those boys are tight. They're great instrumentalists. Their lyrics aren't insipid and stupid. What can I say - their last single was called "American Idiot" and they've leveled a number of broadsides at the general vapidity of American public life. I love 'em. OK, what was I saying...?

(More in a bit...dinner's ready...)

[Jose]

Nice story Stewart... Why not you tell us your musical experience with Andy and "Outlando's D'Americas" tour!

[littledidsheknow]

test

[AmberrGrey]

Thank you for the post Stewart. It's nice to see a musician's experience at concerts as well as the behind the scenes sharing.

[carina]

....I'll read your post later because I'm so pissed!!!!!!!!!!!!
Stewart:
1-Please! Bring Fiction Plane to South America! ...please?
and
2-I have to let you know that the ticket sales in Argentina are being handled very, very badly...they are taking us as big fools!...one day, they post the advertisement, the next day, they take it off, the next day, they post it again with an exclusive pre-sale for a mobile phone company, and the same day , they take it off again!
I'm afraid of not being able to get my ticket....

[blueseattle]

This is still one my favorite performances ever.. De Do Do Do is so perfect here.