Great interview with Grohl on rollingstone.com about his new film, Sound City. Anyway, toward the end a shout out to SC and The Police. All Zi can say to the below quote is, "Amen, brother."
"You use either of those things to capture yourself. Not to manipulate it, not to change it, not to get away from the artist or the person that you are. It's a sensitive subject for any drummer, because the drummers that have changed the world have all had really definite personality, and that personality comes from all of their imperfections. You listen to John Bonham, and his feel was not metronomic, but it was legendary. Keith Moon played like he was on fire. He was a wild drummer. He was sloppy and he was fuckin' frenetic and manic, but that's the Who. Stewart Copeland, his tempo would fuckin' blast off like the space shuttle, but that's the Police. Nowadays, I think it could be hard for a kid to find a favorite drummer, because a lot of that personality is being robbed from these musicians for the sake of perfection, and it's kind of a drag. It's nice to hear drummers like Meg White – one of my favorite fucking drummers of all time. Like, nobody fuckin' plays the drums like that. Or the guy from the Black Keys. Watch that guy play the drums – it's crazy. The dude from Vampire Weekend. Like, if any of those people went to the Berklee School of Music they'd never be accepted, because they're not considered technically proficient. But their music's totally changed the world."
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