Jack Pozzi wrote:Tamadude wrote:Nice pic, but what about his drumsticks? (in reference to the thread title)
That shirt makes me dizzy....
the tip does not make as loud/deep sound on a snare
pretty sure
just a fyi
Oh. That's what you meant. It's just that with such a vague thread title like "drum sticks" it's kinda hard to decifer exactly what you're talikng about. Sorry, us wookies can be a little thick sometimes. Thanks for clarifying though, Jack.
I know that STEWART often reverts the stick as it does give a much stronger crack off the rim and punch off the heads.
What I find amazingly difficult and fascinating is switching from trad to matched for the rim knocks and then back again so fast. STEWART does this seemlessly. The stick tends to become a projectile when I attempt this. I find it much easier to do when already using matched grip.
While we all know STEWART is a master of the rim knock, I don't remember hearing too many rim shots from him.
FYI here's some info off wiki about the different types of rim strikes:
QUOTE:
A rimshot is the sound produced by hitting the rim and the head of a drum at once, with a drum stick. Rimshots are usually played to produce a more accented note, and are typically played loudly. However, soft rim shots are possible.
There are three standard types of rim shots in marching percussion. The first, most common type of rimshot, is the normal rimshot. This is played with the bead (tip) of the stick about three inches from the rim. This produces a prominent, accented tone. The second is called a "ping shot". In a ping shot, the bead is oriented much closer to the rim, about one inch. This produces a high pitched sound. The third, called a "gock," is produced by putting the bead of the drum stick at the center, the rim making contact closer to the hand than in a ping or normal rimshot. This makes a lower sound.
In Latin percussion, timbale players play rimshots near the edge of the head, but these sound very different from gocks in marching percussion.In orchestral percussion, a rimshot is performed by placing one drum stick with the stick head near the middle of the drumhead, and the shaft pressed against the rim, and striking with the other stick. This produces a less powerful, but more precise and accurate rimshot than its marching cousin. This method is known as a "stick shot".
Rimshots and gocks both produce loud cracks that contain large amounts of overtones.
The term is often used to refer to the sting played by the drummer in cabaret shows to accentuate the punchline of a joke. As a result, a particularly obvious laugh line is called a rimshot.
The rimshot should not be confused with the cross stick technique, in which the tip of a drumstick is placed on the head near one of the bearing edges and the shaft of the stick is struck against the rim opposite the tip, creating a dry, high pitched "click" similar to a set of claves:[1] this is a rim knock.
END QUOTE
I don't wanna work, I just wanna bang on the drums all day.