More info on La Jolla performance just posted
Posted: 22 Jul 2009 21:55
They today updated the La Jolla Music Society SummerFest pages to have the title of the work to be premiered (Retail Therapy) and the program notes with a discussion of the 4 peice Stewart will be performing. We learn that Retail Therapy was written during Tourzilla in the program notes.
From the Program information page at
http://www.ljms.org/SummerFest-2009/Per ... sions.html
[quote]STEWART COPELAND
*Retail Therapy, (La Jolla) (2009)
Kyoko Takezawa, violin; Joyce Yang, piano;
David Cossin, percussion; Nico Abondolo, bass;
Frank Renk, bass clarinet; David Washburn, trumpet
"Celeste" for Violin, Piano and Drums (2008)
Kyoko Takezawa, violin
Joyce Yang, piano
Stewart Copeland, drums
Kaya
Kyoko Takezawa, violin; Nico Abondolo, bass
Frank Renk, bass clarinet; David Washburn, trumpet
Joyce Yang, piano; David Cossin, percussion
Gene Pool
Stewart Copeland, David Cossin, percussion
red fish blue fish
*World Première [/quote]
From the program notes:
[quote]
STEWART COPELAND
Born 1952
Celeste (2008)
Celeste was commissioned in 2008 by the violinist Daniel Hope, for him and me to perform at the Savannah Music Festival. Right now Celeste is in the audience, no longer sneaking into her big sisters‘ rooms to play with their toys. She is the Princess of Siam.
Retail Therapy, “La Jolla”(2009)
Commissioned for tonight‘s concert by the La Jolla Music Society for SummerFest, this was written in hotel rooms as an escape from the Rock Monster that ate 2008. I was on tour with my band and found solace in friendly emporiums across the land. This tune is one of the least strange objects that ended up in my suitcase.
Kaya (1997)
Kaya was written as a two hander for piano and mallets but has mostly been played by percussion ensembles, who spread it out for many hands. Tonight‘s version has been arranged for tonight‘s ensemble by my music professor Chris Rozé. Any over-decoration that you might hear is the result of me adding more stuff when his back was turned.
The Gene Pool (1994)
The Gene Pool was commissioned by Ensemble Bash in 1994. It‘s about the struggle for survival of selfish chromosomes. This work was written solely for drums and mallets.
[/quote]
ETA: URL for Program Notes- http://www.ljms.org/Performances-and-Ti ... l?Itemid=0
From the Program information page at
http://www.ljms.org/SummerFest-2009/Per ... sions.html
[quote]STEWART COPELAND
*Retail Therapy, (La Jolla) (2009)
Kyoko Takezawa, violin; Joyce Yang, piano;
David Cossin, percussion; Nico Abondolo, bass;
Frank Renk, bass clarinet; David Washburn, trumpet
"Celeste" for Violin, Piano and Drums (2008)
Kyoko Takezawa, violin
Joyce Yang, piano
Stewart Copeland, drums
Kaya
Kyoko Takezawa, violin; Nico Abondolo, bass
Frank Renk, bass clarinet; David Washburn, trumpet
Joyce Yang, piano; David Cossin, percussion
Gene Pool
Stewart Copeland, David Cossin, percussion
red fish blue fish
*World Première [/quote]
From the program notes:
[quote]
STEWART COPELAND
Born 1952
Celeste (2008)
Celeste was commissioned in 2008 by the violinist Daniel Hope, for him and me to perform at the Savannah Music Festival. Right now Celeste is in the audience, no longer sneaking into her big sisters‘ rooms to play with their toys. She is the Princess of Siam.
Retail Therapy, “La Jolla”(2009)
Commissioned for tonight‘s concert by the La Jolla Music Society for SummerFest, this was written in hotel rooms as an escape from the Rock Monster that ate 2008. I was on tour with my band and found solace in friendly emporiums across the land. This tune is one of the least strange objects that ended up in my suitcase.
Kaya (1997)
Kaya was written as a two hander for piano and mallets but has mostly been played by percussion ensembles, who spread it out for many hands. Tonight‘s version has been arranged for tonight‘s ensemble by my music professor Chris Rozé. Any over-decoration that you might hear is the result of me adding more stuff when his back was turned.
The Gene Pool (1994)
The Gene Pool was commissioned by Ensemble Bash in 1994. It‘s about the struggle for survival of selfish chromosomes. This work was written solely for drums and mallets.
[/quote]
ETA: URL for Program Notes- http://www.ljms.org/Performances-and-Ti ... l?Itemid=0