I wish I would've known about this site a long time ago, since people seem to be really up on most of their music knowledge (not just Police stuff). I looked for a post on the Dallas shows and only saw a few for the first night, so i figured I'd throw my 2 cents in for the 2nd ...
I wrote this the day after and submitted it to a few places, but they didn't seem to have any discussion on any people's reviews. Oh well, better late than never:
Based on some cursory glances at reviews for the previous night in Dallas, I'm glad i went to this show instead. To clear up any misconceptions about this night (I've read a few reviews from people who've gone to both shows), let me first state that Sting was hitting all the high notes. The qualifier to that fact, though, is that several songs were played in a lower key (1-3 full steps in some cases, for you musicians). They also, for the most part, did NOT play sloppy (Andy came in late once or twice, but thats being fairly picky) like some people said.
If I had to lay out my complaints, there are probably only one or two of them. The slowing down of the 'punk' songs from the first album (exception - Next to You) and Dont Stand So Close to Me was a major downer for me. Whereas 'So Lonely' was passable as a slower reggae tune, 'Truth Hits Everybody' was hands down horrid. I swear to god that it was played at half-speed (AND lower key) and was the only time they really 'acted' like they were WAY past their prime in their mid-50s. Their slowed down, lower key version of Dont Stand was even worse than the 86 remake, from their failed attempt to keep the band going. The way Sting sang it too, was his worst singing of the night. He seemed to have either smoked an entire joint or taken several Ludes before doing that song. The band also played Every Little Thing slower, but that was an example of how slower isnt always worse or less danceable.
Otherwise, I was quite happy. Walking on the Moon was done well and creatively - I wouldnt mind having a copy of this version. The one that sounded the most like them in their heyday was 'Da Do Do Do' and had probably the most people dancing and singing. All the slower hits (Every Breath, King of Pain etc.) were sung in their original key and pretty close to the original tempo. You have to give Sting props for looking and sounding as good as he does at his age (whatever you think of his ego).Stewart also sounds just as good as he did as well as in shape and constantly 'driving' to speed some of the older songs up (at the end of Synchronicity II, they were starting to jam on it, faster and faster when Sting ended it I believe prematurely).Andy has that unique chorus/echo he always had, with some more layered sounds. One thing he's added, which I dont remember him ever using with The Police, was a lot of jamming on the whammy bar.I bet half the solos were done with him screwing around with it (cool with me, it was different).Additionally, I dont know if this was intentional, but ... Andy seemed to be frequently drowned out by the rest of the band (during both rhythm and lead parts).
They ended with a 2nd Encore, which after Every Breath was Next to You. Finally, they had played a punkish song with almost the same original speed (still a bit slower, but that was ok). It was a small glimpse of what it might've been like way back when ...
Highlight: watching a 15 yr old boy sit down after 4th song and play with his phone the rest of the entire night. Next-seat daddy must've been so proud of his dumbass son ($200+ tickets on the floor - i was 16th row center).
Anyone else go to this and sit near that area/take pics?