by ceebab on 15 Feb 2007 00:28
[quote="tomkins"]"Plus there's transportation of the band and the gear and some of the crew, the venues have their cut that is probably set fairly high, the local promoters, the record company, Best Buy gets a cut, Ticketmaster gets a cut... the list goes on."
This is why I think $225 for a show of this magnitude is really not so bad."
Yes, but weren't these very same standards in place back in the dark ages when a ticket to see the Police, or Sting, or Peter Gabriel, or whomever, was something around $30? Inflation notwithstanding, I don't believe that promoters are selling $225 tickets (or $450 tickets to see 4/5 of the Stones or, for that matter, $350 tickets to see 1/2 of the Who) because they MUST in order to make up for costs. This is about people making lots and lots of money. And it's not as if "industry" people are worried about this tour NOT making money-- don't must folks agree that this tour is going to be the biggest thing ever? Short of a Pink Floyd reunion, the Police were the last of the classic bands in which all of the members are still alive and mobile. I think the heart leapt out of the touring industry the minute Bill Graham died ...
But really, NONE of this stuff bugs me as much as the $100 fan club fee. It's just foul, in my view.
Also, I suspect that the real reason Peter Gabriel "doesn't tour anymore" is because the guy has become so damn slug-like. You really need to light a fire of some magnitude under his ass to get him to do much of anything these days-- or at least that's how it appears.
Finally, I hope I'm not coming off as supremely bitter here![/quote]
Someone else brought up a really good point which is record companies and bands aren't making as much on record sales anymore because of all the internet options, so this has become more of a revenue stream than a promotional thing.
Also:When the Police were big before, the 70's gas crunch was over and gas prices were nothing like they are right now. Shows have become automated, and those automated boards are expensive, plus you have to have a tech with a brain in case it goes down during the show. And, most importantly, Ticket Bastard did not rule the world. If you really dig in to the whole Pearl Jam story, you'll see just how much they have to do with price setting.
Peter Gabriel is still working a lot, he has just moved into world music and is mostly producing and running his own record label.