This section includes also exclusive interviews with musicians, producers and collaborators who worked with Stewart Copeland, telling anecdotes and in-depth details about their works.
4:00 AM July 17, 2004 Milan The roar of the show takes about two hours to subside. After the last encore when I run off the stage back to the dressing room, there is still a lot of ritual to perform before the day’s work is done. Shower is crucial immediately. Soaking wet T-shirt turns to ice within seconds of departing the hot stage lights. That’s why your correspondent can sometimes be seen sprinting through the halls backstage in a mad dash to the dressing room to yank the clothes off,...
The gig is actually called “The KROQ Almost Acoustic Christmas” and there are eleven bands playing tonight. At the sound-check this afternoon, twelve drum-sets and a hundred tons of amplification are being hustled around the stage by black clad gangs of tattooed roadies. It’s all very professional and good-natured but I still want to run home, rifle through the kid’s toys and see if I can find me some tattoos. Maybe some Polly Pockets or a big Sponge Bob right over my jugular. The drums and a...
December 13, 2004 Los Angeles Out of the blue comes an Email from brother Miles saying: “All confirmed. Rehearsals are next Friday, and your show with Andy Summers and INCUBUS at the KROQ weenie roast will be on Sunday.” Whaaaat? I dimly remember Miles mentioning something about this, months ago. At the time I said “Wow cool” and then forgot about it. So I’m thinking about it now (a little panicked) and figure, what the heck? They’re a cool group,...